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National Institute of American Doll Artists

 

Featured Artist and Slide Show Details



Dan Fletcher Featured

Dan Fletcher,
Master Doll Maker

by Barbara Hilliker, NIADA Patron


Dan Fletcher, best known for engaging figures drawn from Japanese village life, uses a variety of skills honed en route to becoming a master doll maker. Professional Broadway dancer, washi (paper) maker, Japanese language translator, published writer, teacher – all allow him to breathe fresh insight and vitality into his unique dolls.

Before any thought of making dolls, Dan graduated from the University of California, Irvine, with a BFA, majoring in dance. As a professional dancer, a tour with the American Dance Machine Company of New York City took him to Japan, introducing him to their unique people and culture. During 1984, he taught theatrical dance in Tokyo and was introduced to the art of making washi dolls.


In 1990, he received a prestigious research scholarship awarded by the Japanese government leading to an intensive two-year program to study doll making. When his scholarship ended, Dan had collected an amazing 31 cases of books, video tapes, and other material that would serve as a reference to all he had experienced while studying in Japan.

Featured Artist: Dan Fletcher

Dan made repeated trips to Japan, and it was during an exhibition of washi dolls in 1987 that he met Mrs. Kyoko Nakanishi, a revered Japanese doll artist (elected to membership in NIADA in 1998). An immediate friendship with familial rapport developed between Dan and Mrs. Nakanishi - a relationship critical to his development as an artist, and for his understanding of Japanese culture. The following year, Mrs. Nakanishi invited Dan to be part of a washi doll exhibition at the Japan Society in New York, featuring her work.

In addition to the unique support of the Nakanishi family, Dan had another Japanese sensei, Eijiro Arasawa, a master paper craftsman. Mr. Arasawa taught Dan the techniques for making Chirimen-gami, or creped paper that is almost cloth-like in texture and flexibility. Mr. Arasawa was 84 years old when Dan became his first student. Dan is now one of only two other people in the world who practices this craft, which he will be demonstrating at the July 2002 NIADA conference in Bethesda, MD.

Accompanying Mrs. Nakanishi to the 1995 NIADA conference as language facilitator, Dan had his first exposure to the broad world of art dolls. Having worked on his dolls for years in relative isolation, he was determined to become a part of this newfound artistic community. Dan worked to refine his dollmaking skills, eventually applying and becoming a member of NIADA in 1999.
With insight and considerable mastery of skill, from experiences in Japan, dance and life, the art dolls of Dan Fletcher transport his audience to unique pleasure.

For more information on Dan Fletcher visit the Artist Member Contact page of this web site.


 

 

Slide Show

 

 


 

Slide Show Details

 

"Sarah" by Ella HassSarah, c. 2001Cloth over Keramin

Ella Hass
Sarah, c. 2001
Cloth over Keramin

"My dolls have become three-dimensional oil portraits of actual human beings. In every new mold, I strive to give the doll a certain expression and unique personality. By using fabric over metal wires and hidden weights, the body "feels" and "looks" like a small child. Finally, all of my dolls are dressed in personally designed outfits."
Ella Hass

For more information on
Ella Hass visit the Artist Member Contact page of this web site.

"Dragon’s Daughter" by Sherry Housley

Sherry Housley
Dragon’s Daughter, c. 2000
Polymer Clay

"I make dolls primarily because it enables me to create the human form, which is what intrigues me the most. My medium of choice is polymer clay because it allows me to achieve the most detail I have been making dolls for about 12 years, and I have a passion for the excitement of seeing what I can accomplish with each new piece."
Sherry Housley

For more information on
Sherry Housley visit the Artist Member Contact page of this web site.

"Nice Pet" by Uwe Haukenfrers and Juergen Peper

Uwe Haukenfrers and Juergen Peper
Nice Pet, c. 2000
Wood, paper clay, washi paper



"We find the combination of wood and porcelain very striking. Wood has a special tactile texture, and porcelain can be very hard at times. We don’t plan to make a certain character; usually, it evolves when the shape of the head is completed. We don’t think about a person; we concentrate more on the mood and spirit. You must have control over all aspects of your work, but you musn’t be necessarily aware of it. It works by itself. It’s like driving a car – it all happens automatically."
Uwe Haukenfrers and Juergen Peper

For more information on
Uwe Haukenfrers and Juergen Peper visit the Artist Member Contact page of this web site.
"Pie Lady" by Scott Gray Scott Gray
Pie Lady, c. 1994
Paperclay


"I see detail before I see the big picture – it works all backwards. It’s like trying to get the image to hold still so you can get it down on paper. It’s sometimes tough to even get a rough sketch or know what a piece will look like until it’s finished.."
Scott Gray


For more information on
Scott Gray visit the Artist Member Contact page of this web site.

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